Wednesday, 20 November 2019

New Award for Murphy's Gothic Project


Simon Murphy has received major recognition by The Netherlands' Prins Bernhard Cultuurfonds (PCBF) for his multidisciplinary Gothic Project.

The PCBF recently named Murphy as the recipient of its new "Charles Burney Fonds". Consisting of a travel & study grant, the award gives Murphy the opportunity to carry out further research and to develop the next phase of the project.


Anne-Louis Girodet de Roussy-Trioson (1767–1824) 
Ossian Receiving the Ghosts of French Heroes (1802)


Murphy's Gothic Project explores the 18th century foundations of the highly influential pan-European aesthetic, genre and subculture. With the project, Murphy aims to identify the 18th century "on stage" Gothic "look and feel", discovering how this was brought to life utilising text, music, backdrops, lighting, projections and special effects.

Putting his discoveries into practice, Murphy will deliver a new series of engaging "total experience" concert programmes and festival/theatre productions.

In earlier research-phases of the project, Murphy had already uncovered powerful but forgotten Gothic and related repertoire. The new grant enables him to intensify the project, to delve deeper and further explore key continental historic music archives, theatres and art collections. It will see Murphy visit centres including Weimar, Dresden, Berlin, Paris and Stockholm in the coming months.

Following successful pilot programmes exploring the theme, Murphy's new series of Gothic Project concert programmes and theatrical productions will be ready for implementation in season 2021 - 2022 onwards. The productions feature Murphy together with the New Dutch Academy as well as in the role of guest conductor with other orchestras.

Saturday, 20 July 2019

Warm Welcome for New Album JET SET! Classical Glitterati

Warm Welcome

"Exhilarating 18th-century music provides a luxury tour of Europe"

JET SET! Classical Glitterati has been met with a warm welcome - from listeners, the industry and press. During an Apple Music Classical Radio spotlight, listeners streamed tracks from JET SET! and other Murphy/NDA albums more than 1.7 million times. BBC 3, MDR Klassik and NPO 4 have also run features on the album. Dutch classical music magazine, Luister, summed it up as "an expressive, adventurous, refined and irrefutably radiant recording which succeeds in illuminating 18th-century music from a different point of view."

Murphy and the NDA presented the album in concert at The Concertgebouw in Amsterdam on 16 September 2019. Info Check out the presentation concert photos on fb

Press Responses to the Album

"Exhilarating 18th-century music provides a luxury tour of Europe"
Apple Music Classical Radio

“Sparkling and brilliant … an impressive portrait of an exceptional cultural period that influenced and permanently changed the sound-landscape of the European capitals in the second half of the eighteenth century. … Nothing but praise for the musicians for this expressive, adventurous, refined and irrefutably radiant recording which succeeds in illuminating 18th-century music from a different point of view.” Luister (NL)

“On the new album, JET SET!, a selection works by leading figures from the musical centres of the second half of the 18th century has been gathered together, offering a lovely overview of the different accents and fashions of the time. … The album opens with the Viola Concerto of Carl Friedrich Zelter, one of the founders of the Bach-renaissance in the 19th century. Director Simon Murphy performs as soloist. Immediately, it is clear that this ensemble distinguishes itself by its rhetorical ability, the art of telling a musical story. ... And, if there is one thing which the album makes crystal clear, it is that Bach's student Abel should be programmed much more often.” De Volkskrant (NL)

“Simon Murphy, founder and director of The New Dutch Academy Chamber Orchestra is a very enterprising musician. Murphy is a violist and a very innovative conductor, particularly in the field of musical excavations. Previous excellent recordings made by him with his ensemble include symphonies by the Italian composer Francesco Zappa. ... Murphy takes his work very seriously. He not only studies the original sources, that is the manuscripts of the composers, but it is also important to him to explore the environment in which the composers worked. … Great, vibrant music by top composers of their time!” MDR (D)

“Australian conductor-violist Murphy and his Hague-based orchestra make it all very juicy. Symphonies by Abel and Reichardt are exquisitely shaped. Each movement is utterly characterful in its own unique way … which the NDA handles with utmost expressivity and seamless phrasing … For world premières, these works have a real sense of the players having lived with them for a while. Murphy demonstrates the same musicianship and sheer zest as the soloist in Zelter's Viola Concerto. … Affection for this music and expertise are all over this release.” Early Music America (US)

“What is particularly striking about the NDA's playing is the enormous rhythmic and dynamic energy in the outer movements, but also the lyrical delicacy with which the slow movements are shaped. The driven playing style is certainly also voluptuous … has boundless energy … and the music glitters and sparkles … For those who want to experience cutting edge historical performance practice from a different perspective, this CD is highly recommended … And by the way: Simon Murphy is not only an inspired conductor, but also a great soloist!” Opus Klassiek (NL)

“The music generation between Bach and Mozart is the great love of viola player and conductor Simon Murphy (Sydney, 1973). He also likes to bring lesser known music into the limelight. The new album focuses on the international character of the 18th-century music world. Musicians travelled through Europe in a stunningly cosmopolitan way. They met painters and philosophers, princes and courtesans, and inspired each other. Carl Friedrich Abel, for example, Murphy's favorite composer, grew up as a student of Bach, but mainly worked in London, where there was a bustling scene around the infamous Mrs. Cornelys. It is amazing to see that so much music of more than two hundred years old has never been recorded before … It is Murphy's merit that he brings a new generation into contact with it. … subtle, energetic and immersive … a beautiful album that grows with every listening.” DHC (NL)

“A fun approach to programming brings the 18th century alive. The packaging’s retro vibe – make sure you watch the trailer on YouTube! – is not the least attraction of this latest recording from The New Dutch Academy and its Sydney-born director, Simon Murphy. Zelter’s Viola Concerto in E Flat – with Murphy as soloist – makes for a terrific opening. It’s a fun concept, emphasising the cosmopolitan nature of Classical composers’ influences, engagements and travels. The music – much of it little known outside specialist circles – is terrific. … an imaginatively conceived and beautifully executed project” Limelight (AU)

Check out the album “making of”

Order the album



Thursday, 21 March 2019

New Album Out Now! JET SET! Classical Glitterati


Simon Murphy and The New Dutch Academy's new album is titled JET SET! Classical Glitterati.

Get your copy here


            



The album follows the musical "jet set" of the 18th century as they "do" the splendid cultural epicentres of the time including London, Berlin, Vienna and St Petersburg. On the programme, world-premiere recordings of symphonies by Abel and Reichardt balance well-loved works by Mozart and Paisiello with Murphy also appearing in the double role of conductor/soloist in Zelter's beautiful Viola Concerto in E-flat.

Check out the album teaser trailer video

Check out the album "making of"

JET SET! is Murphy and the NDA's 7th release with long standing partner-label, PENTATONE, and follows their well-received previous album, GRAND TOUR Baroque Road Trip (2017). JET SET! (PTC 5186 787) is now available on disc, on all relevant digital platforms including Spotify and iTunes, with high-resolution download on PENTATONE, and high-resolution streaming on Primephonic.

The album was made possible by a successful crowdfunding campaign (on Kickstarter). Thank you to all of those who made this possible and supported the campaign.